Solomiya Moroz
Solomiya Moroz is a Ukrainian-Canadian composer, performer, and researcher whose work explores the intersections of acoustic, electronic, and interdisciplinary practices. With a PhD in Music Composition from the University of Huddersfield and a Master’s in Live Electronics from the Conservatoire of Amsterdam, her creative practice interrogates the evolving roles of musicians, embodied performance, and technology in contemporary music. Her compositions—ranging from chamber works to multimedia collaborations—have been featured at major festivals including Gaudeamus Muziekweek, Darmstadt International Summer Course, hcmf//, and the Ukrainian Contemporary Music Festival, performed by ensembles such as Quasar Saxophone Quartet, Bozzini Quartet, TAK Ensemble, and accordionist Teodoro Anzellotti.
An active performer on flute and electronics, Moroz has presented interdisciplinary work at Amsterdam Fringe Festival, Zone Homa (Montreal), and Berlin’s Month of Performance Art, collaborating with dancers, visual artists, and experimental musicians. Her research investigates gestural composition, AI co-creation, and digital notation, supported by grants from the Canada Council for the Arts and Fonds Québécois de la Recherche.
Moroz’s work bridges artistic innovation and scholarly inquiry, advocating for expanded notation, collaborative creativity, and accessible music-making. Her recent projects include AI-disability collaborations (CHI 2024), surveys on digital score creativity (TEMPO 2025), and international workshops on digital composition pedagogy at institutions like McGill and Monash University.
Photo by Natalia Rainyk
